Tag: Bild

Rubens’ statue

One of the most popular meeting places in town is at the feet of Rubens’ statue on the Groenplaats. This used to be a green churchyard (i.e. one without gravestones for ordinary people). But be assured: the bodies have long since been taken away and are now replaced by car that are parked in the garage underneath.

image of Rubens' statue from the west side
Source: standbeelden.be


The statue was made by a local sculptor W. Geefs to commemorate the 200th anniversary of Rubens’ death in 1840. Unfortunately Geefs did not succeed in getting his sculpture ready in time. He cast a plaster copy and had it transported to the place it was supposed to stand originally: the Steenplein. Suddenly the casting slid from the carriage and was broken to pieces. Eventually it was three years later, in 1843, that the image was placed on the Groenplaats.

Again things didn’t go as planned: it had been raining quite heavily, the ground was soaked and a wheel slid into what had probably once been a grave. Rubens again fell to earth, but fortunately this time he was made of bronze and survived the drop.


Greefs portrayed Rubens in his three dimensions: as a gentleman, as a diplomat and as a painter. It seems that the previous aspects were more important to Greefs than his artistic side. His palette lies  behind his feet, together with a bag filled with documents. More prominent is the rich way he is dressed. It is clear this is not just anyone, on the contrary a very important person. Just watch the self confident way he stands there, the left hand carelessly resting on his sword, the right hand stretched out to bid us all welcome to his city. And maybe also to some his nicest works in the cathedral behind him.

Rubens does not face these works, neither does he look at his house and workshop. Instead he looks straight south. Might he be looking at Italy, where he perfected his craft as prof. Claes suggested in  his book “Van Mensen en Steden”?

More on W. Geefs can be found on Wikipedia.

Nearly 200 times Our Lady

Maybe you have already noticed them while walking through the streets of the city, or maybe your eyes were glued to the shop windows and all the goodies they had on display, anyway if you look up at almost any corner of the historical city center, you will notice a Madonnastatue. And no, it is not the one who called her daughter Lourdes, but the one who gave birth to Jesus Christ.

Spread all over the inner town some 170 statues have survived the brutal anger of the French revolutionary troops and the greedy building boom of the 1970’s. Many more used to adorn the inner city. Why are there so many of these statues you might wonder. Well, there are different reasons.

The first and probably most important reason is that Our Lady is the city’s patron: the main church is devoted to her, and her image can also be seen on the most prominent place in the city hall.

The second reason has to do with the period in which most of these statues originated. I  use the term originated because some of the statues have been newly made, mostly in the 19th century, some have been restored in recent years, some are copies of the original ones and some still are the original ones, dating back to the 17th and 18th century.

Antwerp had a first Golden Age in the 16th century: it was the most important city in the north of Europe and merchants from all over the world had their seat in Antwerp. Merchants usually are tolerant people: they do not really care what colour your skin is or what you believe in, they only want to know if they can rely on you when doing business. So this sixteenth century city quickly came under the influence of Lutheranism, Calvinism, Anabaptism and other forms of religious reformation. This was all brutally put down by Philippe II, the archcatholic king of Spain who also reigned over the Netherlands.

In 1585 the city fell in the hands of the Spanish army led by Farnese which led to the separation of the Netherlands: the southern part remained Spanish and catholic, the northern part became a republic under the name of United Provinces. Many merchants left the city and fled to northern cities like Amsterdam and Haarlem, which eventually took over the leading role of Antwerp in European trade.

In the seventeenth century our city became catholic again and was an important centre of contra-reformation. The presence of the Jesuits played an important part in the process and it was they who had the statue of Brabo, a legendary figure who is linked to the origins of the city, replaced by a statue of Our Lady in the city hall. Mary was a central figure in contra-reformation, so her image appeared on many a street corner.

Very often the statue has a lantern, which is a third reason why the statues adorn street corners. As street lights were missing in the 17th and 18th century city, the lanterns provided some kind of light and some kind of safety for people who had to walk home through the dark streets.

To make your visit to this website as smooth as possible we use cookies. The cookies are used for statistical reasons and do not store any personal data. If you do not wish to use cookies. You can indicate this by clicking on the No button.